It doesn’t aim primarily in a single direction. This kind of light doesn’t originate in a single plane. Light in the real world has those properties as well, of course, but light that we see outdoors, in our homes, or in our workplaces adds a third property: directionality. The light is directed primarily in one direction, toward you, and the light has basically two properties, Frayne says: intensity and color. Standard two-dimensional computer or phone displays, like the one you’re reading on right now, shine with points of light. The realness of 3D stems from how it occurs in reality, and how it’s re-created in holography. And the jump from flat media, flat computing devices, flat display to spatial systems like the Looking Glass, is at least as big a jump as the jump from photograph to film.” And that became closer to life, closer to what we see around us. “Then somebody came along and put 12 of those pictures in sequence in a second and they repeated that, and then a new medium of film, was born. they were not alive in the way that things are alive in the real world,” Frayne says. “There was a time, a hundred plus years ago, where folks had memories and illustrations of imagined futures that they could see in photographs and in paintings, but. (The Looking Glass displays are hard to show accurately in a two-dimensional photo: play the video at the top of this article to about the 20-second mark to see it in action.) Surrounding that is a software platform for putting your own photos from your Mac or PC onto Looking Glass, and a community of holographic application providers. There’s a high-def 8” display for portraits and personal use, a 4K 16” secondary computer display, and “the world’s highest-resolution lightfield 32” display,” an 8K holographic screen for group work and presenting. The result is the Looking Glass, which Frayne says is the world’s first holographic interface that you can use to engage with a world of 3D content without needed to put on an augmented reality or virtual reality headset. He wasn’t able to capture that precisely how he wanted.īut that connection with people who aren’t physically present - and perhaps can’t be physically present ever again - is what drove him to create a new kind of screen. one of the things that I had wanted to do was to capture a video message from him to his recently-born daughter.” “My brother Ryan, he passed away a few years ago. “How we remember folks in our lives that are still here and also folks who are not here anymore, I think, is something that a new interface naturally plays a role in,” Frayne told me in a recent episode of the TechFirst podcast.
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